Am I a Bestseller or Not?

Tip of the Day: According to an editor/friend of mine....here's how the terms are used:

bestseller - noun
best-selling - adjective

Or you can see it here on Dictionary.com

***

Am I a best-selling author?

Technically, yes.

My books - every single one of them - have hit multiple best-seller lists on Amazon.

Whoop dee doo.

Maybe I'm snobby. Maybe I'm too critical. But I'm not going to prance around the internet claiming best-seller status with hitting the top of one of Amazon's gabillion lists. I've even hit the top 100 on Amazon overall (paid, yes, I've hit the top 10 overall free multiple times) and I'm still not willing to flaunt it.

I don't think I'm snobby or critical. I just think I still have my head in the clouds.

I want to be a NY Times Bestseller or a USA Today Bestseller. I want to hit the big time, baby. Small successes are definitely worth celebrating. I've posted many a FB picture of my books on prominent Amazon lists. Yet...I won't let my cover artist put that coveted title next to my name.

What do you think? Am I a bestseller? Or still a wannabe?

In the meantime, pick up my YA contemporary novel, Shucked. It's free today on Amazon. :)

XoXo,

Megg, Miss Enchanted ePubber

E-Pub Excellence (or Electric Feels*)

*with apologies to MGMT

Tip of the Day: Time Warner is now carrying Showtime again -- get ready for Homeland Season 3 on Sun, Sept. 29 @ 9PM! It is a great lesson in character development, plot twists, and cliffhangers.

When I bought my Nook in December 2011, part of my excitement was that I could easily purchase and read self-e-pubbed books. And since then I've read some really great ones -- including those by my critique partners (Theft of the Star Tracker by Lisa Tiffin) and my A2A Misses (Paparazzi Project by Kristina Springer and Sleepers by Megg Jensen). Today I'd like to mention some and here they are, in no particular order:


I read Shana's first traditionally pubbed book, SOMETHING TO BLOG ABOUT, when it came out in 2008 and found it hilarious. Earlier this year I read The Rules of You and Me and wow, Shana has grown as a writer with this beautiful realistic tale that fans of Sarah Dessen will enjoy.





I've read traditionally pubbed books by both Cyn and Mandy, so when I saw this book written by both of them for only 99 cents, I couldn't pass it up and I'm glad I didn't. Getting Caught is a clever school story of girls who have been best and worst friends.










I won a copy of Dolphin Girl from the author and put off reading it for a bit because I thought it was a paranormal romance. Not so! It is another lovely contemporary YA school story with a great setting and well developed main character.







I'd heard Megg mention Wool numerous times on Facebook and I finally purchased the first installment -- and flew through it. I immediately bought the whole omnibus. While it has been bought by a trad publisher for its print book form, Hugh's work was originally an amazing self-e-pubbed adult novel with an intriguing sci-fi setting and captivating chapter endings.




I know there will be many more great self-e-pubbed works in my future! Which ones have you read and loved lately?

Deena, Miss Subbing for Pubbing
www.deenalipomi.com

Why I Now Like Book Trailers (or Video Killed the YA Book Star*)

*with apologies to The Buggles

Tip of the Day: Trader Joe's Dark Chocolate Covered Mini Pretzles are dangerously delish. (9 servings per bag? How about 4?)

As A2A readers undoubetly know, a few years ago book trailers for YA and MG novels started becoming more popular. Many discussion cropped up on if they were worth having.

Personally, I watch trailers that:

a. get a lot of buzz,
b. are by authors I know, or
c. are for books I'm planning on buying/reading anyway.

In other words, I have never been swayed to buy/read a novel because of the trailer even though I have been entertained by them.

One of the first trailers I remember thinking was cool was this one for Carrie Ryan's THE FOREST OF HANDS AND TEETH:
http://www.youtube.com/watch?v=mUi3Ap2ga1U
But because it has actors and spoken dialog, it feels more like a movie trailer than one for a novel.

A recent favorite is this amazing animated trailer for THE SCHOOL FOR GOOD AND EVIL by Soman Chainani:
http://www.youtube.com/watch?v=eqnU3ZqvL1k
It is also very cinematic, and way too expensive for a novice like me to ever do.

When I decided to self epub BLACKOUT, I didn't originally plan to produce a book trailer. But my husband was writing new tracks for his band Blue Falcon around the time I was formatting my novel and I thought it would be cool if he created original music for a trailer. Once he agreed, I was excited!

While I enjoy some of the cinematic book trailers out there, I wanted mine to be more in line with the experience of reading a book. I also knew I needed it to be about 45-60 seconds long. I watched Lisa Schroeder's trailer for THE DAY BEFORE for inspiration as well: http://www.youtube.com/watch?v=kBnbubgIMJA

I love the filming that Lisa did for her trailer, but that is more work than I wanted to put into it so I went with the photo that was used for the cover as a backdrop for the whole thing. The rest was my husband using the limited options on iMovie.

But honestly the best part of having a book trailer? I can hock my wares by giving people an experience -- a free taste of music and atmosphere for BLACKOUT -- instead of just a link where they can buy my book. As someone who is not into self-promotion, it makes talking about my novel a lot easier.

I don't expect my trailer to be the one that transforms people like me into those who buy books based on them. But if the music and atmosphere at least entertains those who click on the YouTube link for 60 seconds, I've done my job.



What are your thoughts of book trailers as a viewer or as an author?

Deena, Miss Subbing for Pubbing

Time to BLACKOUT (or Release Day is Here!)

Tip of the Day: Verla Kay's Blue Board is so amazing that it is merging with the SCBWI message boards! Go Verla and BBers!

Four days early, my YA novel BLACKOUT is out in the world*!

It is only $2.99 (what a deal!) through the following retailers:
Amazon

Barnes & Noble

Smashwords

 

Also, my super talented husband wrote original music and put together this awesome book trailer. I love it!

For a reminder on why I decided to self e-pub BLACKOUT, here's my blog post from April.

Thanks to all the A2A Misses and critique partners past and present who helped bring this book to life!

If anyone has any questions on the e-pubbing process from a first timer, feel free to ask them here. And if they are beyond my ability to answer, I will forward them to the epub master, Megg. :)

Deena, Miss Subbing for Pubbing

*Except for through slooow iTunes and delayed Kobo.

A2A Chat: Lisa Tiffin and the THEFT OF THE STAR TRACKER

Tip of the Day: If you get requests for partials and fulls but no offers of rep from the first couple dozen agents you query, keep going for a few dozen more! It only takes one.

Today I would like to welcome Lisa Tiffin, independent publisher of Apple Cart Books and author of the Eagle Ridge Prep middle-grade novels, starting with her first release, THEFT OF THE STAR TRACKER! And yes, this book is available now through Amazon.com!

(Isn't this cover fabulous?)

What is THEFT OF THE STAR TRACKER about, you may ask?

When their highly technical science project is stolen, brothers Drew and Alex Richfield are thrown into an action-filled battle with bully, Brett Larson, who always seems to be just one step ahead of them.

Drew and Alex must learn to work together to stop Brett from registering their GPS Star Tracker as his own in the Annual Science Fair. At stake are the brothers’ reputations, their relationship and the Grand Prize!

Full disclosure: Lisa is one of my critique partners and a reason I have grown so much as a writer these past few years. I read THEFT OF THE STAR TRACKER as a draft and knew it would have an audience. Now that it is available as an ebook, I am thrilled to see it find its readers!

And onto our A2A chat!

1. Tell us a little about yourself. An About the Author if you will.

Sure, start with the hardest question! I think story was always part of my life. When my siblings and I were young, instead of reading to us our dad would make up stories to tell us. Later, I got involved with theater. I loved to bring a story to life through a character to entertain an audience. I suppose writing is similar though hearing and seeing the reactions are a bit delayed. In my work as a freelance writer, I often have to get a message or a brand across, but when I write fiction, I can focus more on entertaining readers. And that all ties back to what our dad did for us – entertain!

2. What was your initial idea for THEFT OF THE STAR TRACKER?

It all started with a conversation with my older brother. He was frustrated with the lack of great books for his boys. As a mother of twin boys, I knew my own sons would soon be in the same position as their older cousins were. Somehow that conversation ended up with my brother challenging me to write the kind of books that we both wanted for our sons: entertaining, smart adventures capable of holding a boy’s interest.

I didn’t really know what I was getting myself into, but I outlined and wrote and wrote. I actually sent each section to my nephews with questions for them to answer about the characters, plot and interest level. I paid them with Legos, if you can believe it! After that, the book went through a revision workshop, my critique group, and several industry professionals before it was ready for prime time.

3. What made you decide to self-epub?

This book is really close to my heart. Maybe because my family was the catalyst that propelled me into writing it, maybe because it is the book that taught me I really do love science (as long as that science is technology related!) or maybe because it was the book that really sealed the deal for me as a children’s author.

The book has come really close to traditional publication (it was once under contract with a small publisher) and has had a lot of good reviews, so I just felt like it was time to get it out there into the world. I’m hoping lots of kids will enjoy the story as much as I enjoyed writing it.

4. What else do you write?

I’ve written a few picture books, other middle grade novels and short stories for adults. In fact, I love short stories and am working right now on a YA book of short stories about Haiti. I’m not sure how that will ultimately play out, but I like what I have so far. In my day job I write newspaper articles, essays, magazine articles and lots of business copy like Websites, brochures and newsletters. So pretty much everything. J

5. What are your thoughts on self-epubbing and traditional publishing?

Great question! With our economy in tenuous shape and the ever-changing landscape of traditional publishing, I feel like agents and editors are all looking for that one, breakout, NYT best-selling novel. Unfortunately, a lot of competent and even brilliant writers are penning good quality, midlist, dependable novels. I think self publishing and e-publishing open the field for authors to get their books into the public’s hands. Most readers don’t care who published the book if it’s something they want to read, something of quality and something that will entertain and enlighten them.

6. Any last thoughts for our readers?

Thanks for having me and thanks to all the readers out there who care about books and what they represent. Our culture thrives on stories, and I love the interdependence between writers and readers. I’d love to hear your comments or answer questions about that relationship, e-pubbing vs. traditional pubbing, my book or anything else!

Thank you, Lisa! And you heard her, readers: What questions do you have about the various types of publishing?

Deena, Miss Subbing for Pubbing

What Is She Up To? (or Writing and Wondering)

Tip of the Day: My hubby is a writer too! Check out the two brand new tracks he's written, produced, and posted for his new band, Blue Falcon. They're FREE on this FaceBook page! Thanks in advance for checking it out. :)

(Won't this look hot on a t-shirt?)

So while my husband has been getting his music "out there," I have been...starting a new middle grade project.

"But, but, but, what about the nine other books you've already written, Deena?" you may be asking. "Shouldn't you be getting those 'out there'?"

Or maybe that's the voice of my conscience coming through like a ghostly voice on Zak Baggins' EVP recorder.

Either way, here is where I reply, "Yes. Yes I should. BUT I CAN'T FOCUS ON ONE PROJECT!"

My plan last fall was to get my YA speculative thriller polished so I could e-pub it this summer -- if nothing else happened with my other books. But when I dove into it at the end of January, I found myself stalling and working on it soooo slooowly.

Fear of epubbing it? Boredom with the story? Disinterest in writing the sequel?

I'm not sure.

Then I went to the NYC SCBWI National Conference (SO FABULOUS, and now I am in even more love with Mo Willems (he is basically elephant and piggy personified) and Julie Andrews (so lovely AND beautiful with her daughter!) than ever), and I got excited to query agents on my MG novel and of course I got an idea growing stronger in my head for ANOTHER MG instead of getting the YA ready.

So what have I been working on? The new MG. And it is so fun to write! Plus I have some agents reading my completed MG and I keep thinking, what if I sell that traditionally and I want a follow-up MG to sub?

Ah yes, here I am thinking ten steps ahead of where I might be one day...instead of just working on the one thing I can control: perfecting my YA speculative thriller and epubbing it.

That is the beauty of the self-epubbing world right now: writers CAN take control of their own publication, and in some ways have the same odds of reaching their target audience as midlist trad pubbed authors.

In retrospect, I'm glad self-epubbing wasn't as accepted when I started writing YA novels eight years ago because I may have made the mistake of pubbing my quite crappy early drafts and early novels, thinking they were actually really good. But now, after years of writing and revising and learning and reading, I KNOW my YA speculative thriller is good -- and the sequel will rock, too.

That said, my plan right now is to:
1. Fast-draft the MG throughout March
2. Fast-edit the YA throughout April and get it epubbed by September, when the novel takes place

HOLD ME TO IT, A2A READERS! HOLD ME TO IT! :)

Deena, Miss Subbing for Pubbing

Do Sales Totals Matter?

You see it everywhere in the indie community. It's like a headline news story.

I SOLD 5,000 eBOOKS!

I SOLD 10,000 eBOOKS!!

I SOLD 20,000 eBOOKS!!!

I SOLD 100,000 eBOOKS!!!!!!!!!

In the traditionally published community, total sales numbers are very hush hush. No one wants to talk about them. There's a few reasons for this:

(1) It can tank your career if you don't sell "enough."

I'm pretty sure the definition of "enough" changes based on genre.

(2) Publishers don't want everyone knowing their most intimate stats.

I can understand this from a business perspective.

(3) There's too much judgement without the proper framing.

Not everyone understands the economics of publishing and releasing such basic stats can skew understanding of what's successful and what's not.

(4) It takes away from the mystique.

We all know there's a bit of magic surrounding the industry.

(5) It's uncouth.

Yes, I was actually told this once by another author who shall remain nameless.

So why do self-pubs go around screaming their sales numbers from the rooftop?

(1) They've achieved something big.

Authors worry all the time about sales, so it's exciting when you've done it on your own.

(2) We want people to know.

If you know how much I've sold, then maybe it gives me some validation.

(3) Judge me, go for it!

People who've been rejected a million times or told they are failing by self-publishing want to prove the naysayers wrong.

(4) It adds to the mystique.

It's true. When you hear I've sold (not given away freebies) over 50,000 ebooks, I bet it makes you look at me a little differently.

(5) It's totally wicked.

Screw uncouth. Sales numbers are a validation that self-publishing is a viable business option.

Look, some people will always be uncomfortable discussing money. That's okay. No one HAS to divulge their numbers. I know my husband would ignore you if you ask him how much he makes as an electrical engineer.

But a lot of indie authors are loud and proud about their accomplishments. They should be! Many of them have achieved something unheard of five years ago.

Here's the rub (isn't there always one): Sales numbers don't indicate quality. I have friends who've self-published some really incredible novels. Literary quality, profound, the kind of books that never leave your soul. And yet where are their astronomical sales? They aren't there. Not even close.

Take everything with a grain of salt. High sales numbers don't indicate a particular novel is the best book ever written. What it means is a lot of people bought it. It doesn't even mean a lot of people have read it (unless they have a really high number of reviews). I don't know about you, but I have tons of unread books sitting on my bookshelves and in my iPad's Kindle app.

It also means nothing toward income. 100,000 sales of 99 cent ebooks is $35,000. I've sold around 50,000 and made more than double that amount. Don't equate high sales to high income.

So what do sales numbers mean? Nothing. Unless you're the author, then they mean everything.

Megg, Miss Enchanted ePubber

Twenty-Thirteen (or Predicting the Future)

Tip of the Day: Read about Kate's 2013 goals here, and Tina's 2012 recap here.

Happy 2013, readers!

In my library world and writing life, I'm constantly thinking about...(read with a booming voice)... *The Future of Books and Reading.*

So what topics are occupying my mind? Probably the same ones that many of our readers are thinking about, namely:

1. Ebook sales to libraries. Will *all* publishers soon allow libraries to purchase and lend their ebooks? I hope so! Right now it looks to patrons like libraries are lagging behind in ebook purchases when in reality it is the publishers who have not yet decided how to sell these books. I can't wait for this perception and reality to change.

2. Ebook lending on OverDrive. Right now OverDrive, my library system's lending platform, does not allow all self-published books to be sold through OD to libraries so we can lend them to patrons. I'm not sure what the cost to OD is to "stock" books for libraries to purchase, but I know that as the YA Librarian I would love to be able to puchase and lend self-pubbed YA titles. Right now authors must apply to OD to sell their books and they can be rejected. I'm not sure why and I hope this changes.

3. New YA lines. Merit Press, Soho Teen, Entangled Teen, Spencer Hill Press, Month9Books, Strange Chemistry, Poisoned Pencil, Algonquin Teen.... Hopefully this list will continue to grow! I love having more options of lines to buy from for my library. I also love having more publishers that may be interested in reading my work! But with the popularity of YA fiction, will even more writers be submitting to these publishers, still making it hard to get noticed in a glutted market? I know good writing trumps all, but the reality is that pubs can only release so many books per season. Time will tell....

4. New YA agents. It seems that Chuck Sambuchino's Guide to Literary Agents Blog regularly posts new agents hunting for authors to rep, and many of them rep YA fiction. Yay! I'm so glad there are pros in the field who love YA fiction as much as I do. But when I look more closely I see that many of them do NOT rep MG fiction, which I also write...and some may actually be better agents for adult fiction and are only hoping to score a YA author since that is a hot seller now. OK, so I might be reading too much into agent interests, but it's hard for an MG/YA author to find the right agents to query for this reason.

5. New Adult: the "genre." This December 14 Publishers Weekly article on the "New Adult" label made the rounds last month and sparked many discussions about the topic on both writing boards and YA Librarian lists I belong to. I plan on giving my thoughts on this in more detail in another post, but for now I will say I am a) excited that books targeted to 18-24-year-olds are gaining momentum because it is a gap that needs filling, and b) I've always wanted to write stories featuring MCs of those ages so I like that the market is opening for them.

Thoughts on any of the (5) topics above?

Deena, Miss Subbing for Pubbing

Secrets Galore!

Tip of the Day: Get your pets Bob Barker'd (for those of you who aren't familiar with The Price is Right - spay or neuter your pets). That's my baby schnauzer, Tanu. She just got spayed on Monday.




I feel like I'm filled with secrets these days. On Facebook I get invited to groups all the time. Probably 47 times a day, if I bothered to count. But within the last couple weeks, I've been invited to two groups, both secret, and I plan to actually stay in them and participate.

The first was started by two of my fellow writers. Peeps I know, but don't know well. Writers I already admired. We chat about publishing in general, but there's no spam. Refreshing.

The second group came about just a couple of days ago. Again, started by a writer-friend I like a lot and totally trust. She wants to find a way for us indies to band together and help each other out. It looks like it might be fun, if nothing else.

Did you know you can create secret boards on Pinterest? I did and I thought it was dumb. What's the point of a secret board? Then I started seeing these great fantasy pics in my Facebook feed and I took screen shots. I thought What will I do with all of these pics? Ding! Ding! Ding! Secret Pinterest board. Why secret? Well, they aren't credited to an artist. I want them for inspiration, but I don't want to get sued for posting something I don't own the rights to. Plus, I now have my inspiration with me at all times via my iPhone, iPad, or iMac. Woot!

It's pretty incredible that it's possible to have secrets online. It seems like everything is open to everyone. Luckily, that doesn't have to be the case.

I think back to nearly 20 years ago when I was just starting college in the fall of '93 and I was assigned an email address. I had no idea what it was - or how it would change my life and the lives of everyone around me. I think that's another reason I'm so into e-publishing. I was learning to program in html and creating websites before most people knew what they were (just for fun - my degree is in medieval history). All of this awesome techy stuff keeps me young. :D

Have a great weekend!!!!

Megg, Miss Enchanted ePubber

Our World is a Very Speedy Place

Tip of the Day: everyone knows this I know, but don't forget to vote on Nov. 6 (or earlier if you are one of those people that plans ahead)!

Not that I want to get political on this blog, because I don't really think this is the forum for that and I'm  respectful of the fact that many people have different opinions then me. But after watching the debate this evening and then immediately turning to my twitter feed to read people's thoughts, I am once again reminded how fast the world moves now--which affects us tremendously as writers.

http://bindersfullofwomen.tumblr.com/

I was about 10 minutes behind due to pausing my DVR and by the time I got online there were already over 90,000 likes on the Binder Full of Women Facebook site and lots of sample pictures posted on Tumblr which were Photoshopped at break-neck speeds. Sure people probably started creating these mid-way through. But still. That is FAST. And they have probably already quadrupled by now.

The last question of the night came from a guy named Barry and by the time I got to twitter there were hundreds--if not thousands--of spoofs with the #toughquestionsfrombarry.

As a society we are moving so fast, so it makes sense all of this stuff was available in such a very short period of time. But as writers that makes our job extremely difficult. Most readers don't want to wait a week to read another one of your books--let alone a year. Who has time to actually write an entire book in one week? And write it well. It's impossible.

I guess you could plan them all in advance and then release them closer together. But by the time you'd get around to releasing them the trends will have changed and everything will be different.

During a staff meeting the other day, someone mentioned a statistic that I can't remember exactly, but basically you can't take longer than one or two months to do a complete website redesign. Because if you take longer than that everything will already be outdated.

Wow...wow...wow. My head just spins thinking about what readers expect now. And what people in general expect in relation to everything revolving around written communication.

And the sad part is I can't even complain, because I'm probably the same way. I'd love to be able to read a book from my favorite author every week. I loved watching the debate and knowing that I could instantly find tons of comments online afterwards. It's just the way it is and it's great. But in the flip, I try to be a bit more lax because doing some of these things I realize the time commitment and can understand people aren't superhuman.

My only hope is that other people are just as lax and don't think books can be created with such speed that blogs, tweets, etc. can be created.

eBooks in general have drastically speed up the publishing process. Megg's post about serials gaining in popularity is yet a further sign of how much publishing is changing in regard to the speed with which books come out. And I'm sure there are even more to come. Probably by the time you are reading this post, there has already been a change in publishing to speed it along even further! 

--Emily, Miss Querylicious

An Interview With My Sis (or A Writer and a Massage Therapist Walk Into a Bar...)

Tip of the Day: Interested in the lives of massage therapists? Check out my sister's blog. I know there's a story in here somewhere....

My sister, Andrea Lipomi, an LMT based in Las Vegas and the author of CONFIDENT RELAXATION MASSAGE: ADVICE FOR THE BUDDING MASSAGE THERAPIST, asked me if I would be willing to interview her for her own blog.

Of course I said yes -- and that I would ask questions related to publishing so I could cross-post it here. What a win-win situation! I hope you find this interview interesting and informative in the areas of writing non-fiction, self-publishing ebooks, and creating related course work to your non-fiction topic.

DL: As a writer myself, I was excited to learn that you were writing a book in 2010, and then even more excited to read it and help with your line edits! But as a writer of fiction instead of non-fiction, I'm not as familiar with the process of writing "how to" books. Can you talk about the market research you did before committing to your CONFIDENT RELAXATION MASSAGE: ADVICE FOR THE BUDDING MASSAGE THERAPIST project, and how you figured out how to structure the contents?

AL: First, let me thank you again for all of your help with the editing! You and Darren (our scientist brother) are amazing, and I know that CONFIDENT RELAXATION MASSAGE: ADVICE FOR THE BUDDING MASSAGE THERAPIST wouldn’t have turned out nearly as well as it did if I hadn’t been able to pick your brains.

Back in 2007 I dabbled with the idea of writing a massage therapy tell-all – think WAITING, but with less food and more creepiness. The more I got into it, the more I realized that the bulk of I had to share with the reader was the “uncommon common sense” stuff that I learned the hard way – through making mistakes, trial and error, and utter embarrassment! We’re talking everything from upgrading services from Swedish to deep tissue, to dealing with the smell of onions in the massage room, to handling requests for happy endings (figuratively, of course).

I wanted to write a book about spa-style relaxation massage that would appeal to massage hobbyists and students, in addition to licensed professionals. I’d read a lot of great massage books over the years that were written with a specific audience in mind: people who had never performed a massage in their lives, independent practitioners in need of marketing advice, massage professionals looking to add new modalities to their toolboxes, etc., but I couldn’t find any books out there that focused on performing high-quality relaxation massage in a manner that would appeal to both newbies and seasoned massage therapists. I found my niche!

The structure evolved as I compiled my content. What did I advise my friends to do when they interviewed or auditioned for a massage position? What would I have wanted a friend to tell me when I felt alone and discouraged during my tenure in massage school? What have I shared to bolster a friend’s confidence when they were struggling to assert themselves or struggling to find balance?

There’s a clear distinction between chapters in CRM. This way, someone who’s already comfortable with performing a full-body massage can easily skip over the step-by-step instructions that make up that one particular chapter, for example. I don’t like taking a “one size fits all” approach to many things in life, including my writing.


DL: You also offer online continuing education courses for LMTs. Are they required to purchase and read CRM? How are the course assignments related to the contents of the book?
AL: I have written a continuing education course for massage therapists called AMERICAN SPASPITALITY, and I have another course in the works. It’s completely different from CRM, so to answer your question, MTs do not need to read CRM to take my course.
What these projects DO have in common is that both can be found on smashwords.com. AS is free to download, and if people want CE credit for answering the quiz found at the end of it, they can pay me $48 through my website, ConfidentMassage.com. CRM is $3.99, can be found on smashwords.com, BN.com, and amazon.com. There’s not a quiz or CE option with CRM.

DL: In the arena of fiction for children (the audience I write for), authors often try to find ways to provide lesson materials on their websites that relate to their books; the hope is that they will encourage teachers to use the book in schools. Did you find that sales of your book went up after you provided the additional content, i.e. the "lessons" for your course?
AL: Since my CE course and CRM ebook are totally separate, there isn’t a correlation between the sales of either one. CRM ebook sales spike when I receive a favorable mention on a social media platform, like when Allissa of massage blog Writing A Blue Streak read CRM and gave me a shout out. Her facebook audience, for example, is made up of different people than mine (as we travel in different circles – both regionally and professionally), so it was very cool to be “introduced” to all of these new people through the magic of social networking.

DL: What book are you working on next, and will it relate to a new LMT course?
AL: I am working on a fun new ebookcourse that I hope to roll out within the next month. I’ll keep you posted!

DL: Will you ever try to traditionally publish a book on massage? Or on any other topic?
AL: Traditionally? Probably not. I like the relative immediate gratification and control that come from independently epubbing. My time is best spent working on my next project, whatever that happens to be at the moment.

DL: What is your typical week like? When do you fit in your writing?
AL: I work three 10-hour shifts every week at a resort spa here in Las Vegas. On those days, I sleep, eat, shower, try to stay out of trouble at work, and that’s usually it. I get the bulk of my writing done on my four days “off”, and can usually be found at Starbucks or The Beat (a fabulous indie coffeehouse in downtown Las Vegas) where the distractions are limited to loud cell phone gabbers (as opposed to laundry piles, dirty dishes, and husbands).

DL: What ways have you found to promote your book and course that have worked well?
AL: Marketing is an adventure for me right now. I’ve been tinkering with Google Adwords to promote AMERICAN SPASPITALITY, and the results have been wildly varied and interesting. When my new course comes out I’ll blast my facebook page(s), twitter, local networking groups, etc.

CRM shows up as an “also bought” on Amazon for a lot of people who buy massage books, since there really aren’t that many out there. Amazon is totally where it’s at for me income-wise on the ebook side. I love Smashwords for their free ebook capabilities, multiple formats, and indie-friendly vibe. Deena, I know you love your Nook; unfortunately Barnes & Noble is my least lucrative ebook outlet right now.

DL: What platform do you use and/or prefer to read ebooks?
AL: I usually read ebooks on my smartphone. If I purchase an ebook, it’s usually from Amazon and I read it on the Kindle app on my DROID. If I download a free epub formatted book from the public library’s digital catalog (which I encourage EVERYONE to do), I use the OverDrive app on my DROID. I also love to use OverDrive to download free MP3 audiobooks from the public library and listen to them when I walk or work out. It’s motivating because you have to finish listening to the audiobook before it returns itself in three weeks!


DL: Your husband is also an LMT; did he offer any insight from the male perspective for CRM?
AL: Here and there. We talk about the challenges faced by male MTs all the time. I keep (half) joking that we should record our rants and host our own massage reality show. It would be fantastic.
I have a blog post idea percolating in the recesses of my mind regarding the hardships faced by male MTs: discrimination by clients and employers, false accusations of a sexual nature, assumptions that male MTs always deliver deeper pressure than female MTs, the list goes on and on. I’ll probably bust out on the laptop after I finish working on my new CE course, because I do get worked up emotionally when I consider the BS that some of these hard-working MTs have to deal with, just because they were born with a Y chromosome.

DL: And for our fiction readers, what is your favorite novel that features a massage therapist? Is there one? If not, what story line would you like the LMT to have?
AL: I’m not aware of one, but I’m really out of touch with what’s going on in the world of fiction. The last several books I’ve read have been about massage therapy, primarily ethics and business-related non-fiction, with a dose of old-timey anatomy and dissection non-fiction for good measure.
I would want the massage therapist character in a novel to be realistic. Authors, please do not follow the model set forth by Jennifer Love Hewitt in ‘The Client List’, or Phoebe in ‘Friends’. We may be weirdos, but most of us are ethical, intelligent, hardworking individuals who would love to read a smartly-written book about one of our own.

DL: Any final thoughts?
AL: Deena, thanks so much for interviewing me! If anyone on either one of our blogs would like to ask me pretty much anything about massage therapy, life in Las Vegas, or having an awesome sister, please contact me and we’ll chat. My website is www.ConfidentMassage.com, my email address is helpinghands (at) ConfidentMassage.com, or you can add me on facebook or twitter. OK, time to drink my lemonade iced tea and work on the next project…

Thank you so much, Andrea! This was very interesting and informative. I have a thank you gift in the mail for your time (think library book donation.... :)). Readers, feel free to leave any questions for Andrea here or on her blog! I really need to get going on a massage therapist novel since it seems to be untapped territory....

Deena, Miss Subbing for Pubbing

ePublishing Panel or I Did Not Vomit

Tip of the Day:  Imagining people in their underwear during a presentation doesn't help everyone. Instead, keep a cup of water nearby and a cough drop to suck on. You'd be surprised how much those really do help. ;)

Last fall, my friend Jane Hertenstein contacted me for some advice about epublishing. We spent hours on the phone going over everything she needed to know about getting her books changed into ebook. She owned the rights and was really excited about this new technology.

Once her books were live and she was happy with her experience, she thought it would be great if I shared my knowledge with her SCBWI group. I could get up in front of an audience and talk.

Now, in real life, I really enjoy talking. I have a bit of a reputation (within my family, at least) for never shutting up. However, when it comes to speaking in front of a live audience, to people I don't know, I don't do well. My hands shake and sweat. My voice cracks and my mouth goes drier than the Sahara. I get nervous. I say stupid things and embarrass myself.

I promptly turned her down. Not only was I not confident enough in my speaking skills, I really felt I was too new to epublishing to get up in front a group and declare myself some kind of expert. So, I suggested a panel with me and my friends.

Jane agreed. We tried to set a date for winter, but it just didn't work out, so we decided to do it in March. My friends Karly Kirkpatrick and Norm Cowie sat on the panel with me and Susan Kaye Quinn came in support (I didn't know her when Jane & I set up the panel or I would have invited her to speak too.)

I spent a month being really nervous. Like heart-pounding, scared-to-death, convinced-I-was-going-to-vomit-on-Norm nervous. I considered backing out. As the months passed I focused more on my career and less on the upcoming meeting. My books took off. I learned so much more about epublishing every day. By the time March rolled around, I really felt like I had something to contribute to the panel.

My nervousness faded. I knew I had something to say - a lot of somethings, in fact. I told Jane the day before the panel that she might need to use bodily force on Karly, Norm, and me because we are all skilled in the art of talking.

How did the panel go? Fantastic! I felt like I really was able to impart my message to people. (ePublishing isn't for everyone and it isn't simple. ePublishing is a business, totally separate from writing.) I met some writers whose names I knew from the SCBWI listserv I belong to. It was a really fantastic afternoon.

Moral? Don't agree to speak on a panel as an expert unless you feel like you are one. Had the panel occurred last fall or winter (like we'd originally discussed), I would have been far more nervous because I didn't feel like I knew enough. By March, I had real facts, data, and experience to give out.

Since then I've been contacted by two other people to give talks about epubbing. Will I do it? Absolutely! And next time, I think I can even do it alone. :D

Karly, Megg, Norm

Megg, Miss Enchanted ePubber

Querying Book Bloggers

Tip of the Day: Want to name a character in my next book, Afterlife? Enter here!

Already got a book published? Whether it's self-published or traditionally published, you really need to get out there and query book bloggers. These amazing, wonderful readers can hold the key to your success and help spread the word about your book.

When I first started epubbing, I didn't query book bloggers. I assumed (making an ass mostly out of me...not you...lol) that they would only read traditionally published books. NOT TRUE! Many bloggers will read any book that piques their interest.

But how to approach them?

First, head to their blogs and read their guidelines. Seriously. It's exactly like querying an agent or publisher. Make sure you're contacting someone who will actually be interested in your work.

You need to treat bloggers with the same respect you'd treat an agent or publisher. Crafting a concise query letter is the first step to success. Oh, and before anyone assumes I have no success with query letters since I'm self-published here's my quick story: As a former freelance parenting journalist I spent seven years successfully crafting queries for article pitches. In the short time I queried agents, I had zillions of requests for pages, so I do know a bit about this. ;)

FREE on Amazon - click to download

Dear Beautiful Blogger,

Forget prophecy. Make your own destiny.

Sheltered from the outside world with no hope for escape, slave girl Reychel dreads her fifteenth birthday - when her master’s symbol is burned on the back of her bald scalp. Her best friend disappears the night before, leaving her to face the branding ceremony alone. She soon discovers nothing is as it seems when people desperate for freedom beg for Reychel's help.


Can Reychel learn to believe in herself?

Would you consider reviewing my YA fantasy novel, Anathema? It combines a gritty fantasy world like Game of Thrones with the teen accessibility of Twilight. I can provide you with an ecopy for review from your choice of vendor: Amazon, Barnes&Noble, or Smashwords. Anathema has an average of 4.3/5 stars on Amazon.com and has been reviewed by many top bloggers.


Please feel free to visit me on my website, www.meggjensen.com, or on Facebook, www.facebook.com/meggjensenauthor. Thank you for your time and consideration. I look forward to hearing from you.


Best,


Megg Jensen
...contact info...


Now, this is a generic query. I always, always, always personalize my queries to each blogger. I mention something I find intriguing about their website, or a review of theirs I particularly enjoyed. It's not brown-nosing, it's common courtesy to show some interest in someone who you'd like to notice you. Often I will also mention that there is no hurry to review. Many bloggers have stacks of books that could fill a library. Don't pressure them or they'll probably just reject your book immediately. (This applies to regular reviews - not blog tours which is a whole other topic.)


Want me to critique your book blogger query? More info here on how to submit.


Megg, Miss Enchanted ePubber

Kate Flashback: July 19, 2010

Tip of the Day: Kate's internet is down, so I'm posting a Kate Flashback Post from way back in 2010 when Kate was reading a book on her phone! OMG! My how fast ebooks have progressed...

So I'm stuck in one of those horrible, noisy bounce houses where apparently every kid in town has to hold his seventh birthday party, waiting for my son. I can't chat with Birthday Boy's Mom because she's chasing her even-younger kids around, and I don't know any of the other parents. But I have my new Android phone with me, so I decide to download the Kindle app and check it out.

Wow! Just wow.

Reading was easy. The print didn't seem any smaller than this, but I could change the font size if I liked. The pages were crisp and clear, turning pages was intuitive and natural, and the bookmark feature was great for my son's interruptions for bounce-related boo-boos. Amazon had a large selection ready for the Droid phone, too, and very reasonably priced. For my trial run, I bought a P.G. Wodehouse short story collection for $2. Best two dollars I ever spent. The average book price for a "modern" book ran from about seven to 13 dollars.

Not every book I would want to read was Droid ready, but I think it will become more common. In fact, Barnes and Noble sent me an email today that the B&N download for the Droid is "coming soon!"

I wouldn't sit at home and read my Droid instead of an actual book, but the next time I'm stuck in a bounce house or somewhere similar, believe me, I'll be ready to buy a download.

-- Kate, Miss Perfecting the Pages

Editing the Indie Novel, Part One

Tip of the Day: Going indie doesn't mean you should go it alone. Surround yourself with a tribe of talented writers.

Okay, I wasn't going to do this right away, but it feels like a discussion of editing should be the next step. The reason I hesitate to tackle this topic is because nothing in e-publishing leads to more anger and arguments than editing.

Self-published novels have a bad rep for being poorly edited. In some cases, it's deserved. As epubbing has evolved over the last couple years, editing has taken on a whole different face. I wouldn't recommend anyone ever epublish without extensive editing.

Just. Don't. Do. It.

Today I'm going to tell you a bit about my editing practices

Here's my process:

1. I write the whole novel
2. I edit & rewrite
3. I edit & rewrite again
4. Then I send it out to Angela Carlie, who is the ying to my editing yang. She has a deep understanding of all of my writing foibles and she's not afraid to tell me when I've royally screwed up. She points out every zit, every freckle, and every stoopid mistake in my manuscript. Getting back any less would be a disservice to me. I WANT to be aware of every problem. Otherwise, what's the point of editing? (note: I just wish I could learn not to repeat the same mistakes over and over - I'm trying)
5. I cry, debate quitting writing, and eat a lot of chocolate
6. Then I edit & rewrite
7. I send the manuscript out to several more readers
8. I edit & rewrite
9. Then I start my proofreading chain - I send the first third of the book to one person who proofreads it. Any mistakes s/he finds, I correct. Then I send that segment to another reader while sending the first reader the second third of the book. Wash. Rinse. Repeat. I run my proofreading through at least three readers in this fashion so by the time the last person gets the book, it's hopefully squeaky clean.

Oh - each one of these readers is different. I never ask the same person to read the same manuscript twice. It's so easy to become comfortable with a book. I want my editors & proofreaders to come at my work with 100% fresh eyes. (My love & thanks to Karly, GP, Magan, Kim, Margaret, Tim, Marcia, Mark, Kate, Cherie, Teresa, David, Eugene, and OMG I know I'm forgetting people - if I forgot you, please email me and tell me and I'll add you in!)

Do I claim to be perfect? No. Do I think everyone will 'get' my style? No. I've been trashed by some readers for editing - while other readers praise the exact same style choices. Again, it leads back to the idea of subjectivity and enjoyment when a reader reads.

I think sometimes the casual reader with little experience in editing doesn't understand the difference between style choices and poor editing. When I edit other people's work, I am heavy into editing of punctuation and grammar. I don't often touch on style unless it's something that's glaring, like an author's tic versus a character's tic (which is something Angela taught me to find). Then I will say something. I usually try to let the author's style shine through because I feel that's what makes indie novels so special.

Okay, I could go on for years on this topic. Check out me & Ang below. The longer you're around me, you'll learn I have a slight obsession with FaceinHole.com. Ang & I haven't met in real life, but we've been internet friends for years now. :D

(Pssst....my first novel, Anathema, is free right now on the iBookstore - go download it if you're interested)

Choosing Your Path: Traditional or ePublishing

Tip of the Day: If you're a writer, join Pintrest. It's a great place to find inspiration for far-away settings.

(note: I wanted to originally make this post a quiz, but I couldn't find a good widget for that. If you know of one, let me know because I was quiz-obsessed as a teen. Like quizzes in magazines titled 'What Kind of a Kisser are You?' not math quizzes.)

Before I get too deep into posts about the technicalities of epublishing, I wanted to help you figure out where you belong first. It's not as simple of a decision as you might think. ePublishing is NOT about giving up on traditional publishing (many are still hoping to land an agent who can procure additional venues for their books). It's NOT about making gobs of money (most don't on both sides). It's NOT about  being a control freak (most of us hire out things like covers and editing).

The decision comes down to how to stay true to yourself and your goals. There isn't a right or wrong answer. What I'd really like to do is break down some of the barriers between traditional and epublishing. There's a lot of anger coming from both sides as they spout off about who is better. Guess what? Neither is better - they are just different. Different goals = different path to publishing.

Here are some things to ask yourself:

1.  Is my need to see my book on a bookshelf at Barnes & Noble greater than my need to get my books in readers' hands?

In self-publishing, we can releases books our own schedules. Many traditionally published books take a year, or more, to get to the bookshelf.

2. Do I want to just write, leaving all the extras to the professionals or am I eager to stick my hands in the dirt and manage every aspect of the publication process?

This is really at the heart of self-publishing. There are many writers who just want to write and not be bothered with the minutae of publishing. That's a perfectly acceptable reason to go traditional. There's a ton of work on the business side of self-publishing. Not everyone wants to be bothered with it.

3. Do I need recognition from the establishment or am I content to letting my books speak for themselves?

This may be one of the largest obstacles to self-publishing: how we perceive the quality of our work. Many people think self-published = crap. It's not always true. Bottom line is: You will never please everyone. There will always be someone who doesn't like your book, even if you get the traditional publishing stamp of approval.

I know this isn't a huge amount of questions, but I think that these are really the three most important. There are obviously far more differences between epublishing and traditional publishing. If you're seriously considering coming over to epublishing, you have to be willing to dig in hard, especially where marketing and editing are concerned (not that those are a cakewalk in traditional publishing).

It's not an easy choice for many to make. It wasn't for me. It took me months to come around. Almost one year later, how do I feel about my decision? I wouldn't change one moment of it. I love epublishing!

This discussion always reminds me of the Kia Soul commercial. Who doesn't love rapping hamsters?!




Megg, Miss Enchanted ePubber

No Goal? That's Okay Too

Tip of the Day: Think you can't make money at epublishing? Look at this post by Joe Konrath.

I love how everyone is talking about the goals they've set for 2012, even though I don't set goals and I don't make resolutions. Thinking about where you want your career to go is is important. For many people, when they translate those ideas into a specific plan, a goal is formed. I used to makes goals when I was younger, but I gave that up about ten years ago. Don't mistake that for flightiness.

In 2012 I will release at least two more novels. The first is Afterlife, which I am writing right now. This is the sequel to Sleepers. After Afterlife I'll write the third book in The Swarm Trilogy. No specific goal for that either. I know Afterlife will be out by summer. The third novel in the series will be out by winter. I'll have more details as I get closer to release.

I have no daily word count goals. I don't force myself to write every day. Those kind of binding rules don't work for me. I tend to break them more than follow them. Then I get disappointed in myself and my writing. I lived that way for years. Not anymore.

Now I write some words most days. That 'some' could be 500 words, it could be 7,500 (I once wrote 7,500 words in two hours - I may have sprained a thumb). As for 'most,' well, I try to write Monday through Friday. Occasionally on the weekends. Sometimes at night. I fit it in where I need to.

To my odd little brain, goals are too limiting. I know I will have two books out this year. I don't have to set a goal to do it because I already believe I will. I also have a partially-written middle grade fantasy sitting in the wings, begging for attention. Then there's that contemporary YA that's about 25% written. When the time is right, I'll attack those with the same fervor I'm spending on The Swarm Trilogy. Plus, I have a third fantasy trilogy planned.

I don't think I'm bad to the bone, or a ruler breaker, or anything like that because I don't set writing goals. I also don't think being goal-free makes me a poor businesswoman. 2011 proves that I can handle the business side of epublishing too. I've spent the last seven years modifying my day-to-day writing techniques. I'm a well-oiled machine now. I've learned to trust my process and trust myself.

In the past, when I set goals, I was always trying to reach them. Now, I just do. Cheesy as it is, the clip below from Star Wars illustrates my exact approach to life and writing.

Megg, Miss Enchanted ePubber

Introducing Me (Megg) and My 2011 Writing Recap

Tip of the Day: Don't be afraid of independent authors. There's some really great self-published books out there!

Hi! *waves* My name is Megg. I'm a former freelance parenting journalist turned ninja! Oh, well, in my imagination at least. If you want a basic bio about me, click here. Or you can strap on your seat belt and take a trip with me in my handy-dandy time machine.

I know we're supposed to recap our 2011 writing goals. I'm going to break the rules a bit (watch out, I tend to do that) and take you back to 2010. In the midst of a declining freelance parenting career due to poor economic conditions, I submitted novel queries to agents. Perhaps a bit obsessively. I knew there was a reason my freelance career was on the skids - it was because it was finally my time to shine as a novelist. <insert angelic music here>

I had completed two novels, ANATHEMA and SLEEPERS, and was absolutely sure I would easily be able to get an agent, get a book deal, and live the rest of my life in blissful happiness. Um, yeah, didn't quite happen that way. There were the agents who never responded (ugh), then there were the form letter rejections (ugh), and the sweet personal notes telling me my book looked awesome, but that it wasn't for them and never give up rejections (double ugh). There were quite a few who requested my full. I KNEW one of them would take me on. I had no doubt in my mind whatsoever.

Guess I should learn the difference between knowing something for a fact and hoping for something so deeply. One agent offered to take me on if I'd switch genres. That was a deal-breaker for me. One had me submit all my work to her. In the end she just decided to reject me and I'll never know why. Another held on to my work for nearly a year, kept promising to get back to me and never did. By the end of 2010, I was convinced my books would never, ever be read by anyone outside my critique group.

My BWF (best writing friend) Karly Kirkpatrick told me about epublishing. I scoffed. Self-publishing was for people who gave up, right? Not one to automatically dismiss any idea, I researched it. Karly & I talked, and talked, and talked about it. It wasn't until I saw the quality work being put out by so many self-published authors (Konrath, Amanda Hocking, Sarra Cannon) that I decided to jump in the epub pool.

There were no sharks - just eager readers. I'll swim with them any day.

Now we're in 2011 - I epublished ANATHEMA in February. OUBLIETTE in June. SLEEPERS in July. SEVERED in November. THE INITIATE in December. Over 25,000 copies of my books have been downloaded. I have countless new Facebook and Twitter friends. I have met so many new & amazing readers in the last year. I've also sold foreign rights to my books. I don't regret one moment of 2011.

If you follow my A2A posts, you'll learn more about how I accomplished so much. Believe me, I have a TON to say about it too. I'd really love to know what you guys want to hear. Leave some comments below or email me - meggjensen (at) gmail.com - and tell me what you want to learn about epublishing.

I'm so excited to be on A2A and thank you so much to the ladies for inviting me!!!! :D

-- Megg, Miss Enchanted ePubber

My First E-Book Experience (or What the AUDIENCE Wants)

Tip of the Day: If you are in the Rochester, NY area during Teen Read Week (Oct. 16-22), stop by one of Linda Sue Park's presentations. She's our library system's Greater Rochester Teen Read feature author with her amazing book, A LONG WALK TO WATER.

My husband purchased a used iPad before our trip to Europe. While it ended up having many handy uses while overseas, one of his primary reasons for wanting it was so he could download George R. R. Martin's A DANCE WITH DRAGONS and read it on the Kindle Ap since lugging the 1020 page hardcover version he'd started seemed very impractical. Intrigued by the option of reading an ebook on the plane, I downloaded two self-pubbed YA ebooks before we left.

Since I'd already committed to reading a library book I'd brought with me, it wasn't until the flight home that I broke into the ebooks. And I was so disappointed! The series were very popular on Amazon, had great reader reviews, gorgeous cover art, intriguing premises, and tons of sales -- but the writing was very unpolished to the point of distraction for me.

Let me clarify: the books were NOT bad; they just felt like they needed another revision and polish before they were ready to be read by the masses. For example, one book had very stilted and unrealistic dialog in order to fill the reader in on things that were obvious to the characters; and the other (written in 1st person) had the main character constantly asking herself questions to make sure the reader understood that something strange was going on in the fantasy world instead of showing the reader that it was not the norm (I caught this one because I am also guilty of it). I didn't finish reading either book because I found myself editing them as I read instead of enjoying them.

BUT -- does it matter what I think? Obviously I am not the target audience. Teens are.

Or am I as a YA Librarian and YA writer?

The books are selling well, and it helps when some of them are offered free for a limited time, or for under $3 per book. But if the teen readers who post glowing reviews are really enjoying the books and keep buying them, who cares what I think, right?

I think for self-pubbed ebooks to get the same shots at professional reviews and library collections as traditionally published novels, self-pubbers should hire professional editors and/or copy editors. They need to make sure their books shine for every one who picks them up, not just teens or kids who may not be spoiled like I am, surrounded by well-crafted and edited novels at my day job.

Or am I wrong? Is speed in getting a YA e-series out more important than editing them to beauty?

Deena, Miss Subbing for Pubbing

New Ebooks from Indie Authors

Tip of the Day: Want to see a super cool library? Check out the blog I did on our new town library. And here's an extra tip for today, if you have an iPad or iPhone you can download an ereader app (exp. nook) to read books on instead of buying an ereader.

Since we've been talking about ebooks all week I thought it would be fun to share a few ebooks that I have my eye on. Specifically I'm going to be looking at ebooks recently put out by indie authors.

Megg Jenson epublished her first young adult book, Anathema, just a couple of weeks ago. The book is already doing well and she even broke into the top 100 most popular ebooks on bn.com this week. She's got an engaging cover and a great price at $2.99 a book.

Karly Kirkpatrick began epublishing four months ago with her first young adult book, Into the Shadows. Her book is also nicely priced at $2.99. She blogs all about the epub experience in detail and it's fascinating to follow. Karly will be guest posting for us on a Fun Friday later this month.

Tera Lynn Childs is known for her traditionally publisher young adult books but has recently begun self-publishing adult books. Her first two are Eye Candy and Straight Talk. I love the covers, which is a HUGE thing in epub. Gotta have a great cover. And of course, her price is awesome at $.99 a book.

I've always liked reading Lauren Barnholdt's traditionally published young adult books from the Devon Delaney series to Reality Chick. Lauren has recently started self-publishing a number of series novellas on bn.com, all priced between $.99 and $2.99. Sweet! The covers are all gorgeous! Here's a long list of her books.

What about you? Any ebooks by indie authors that you have your eye on?

Kristina, Miss Author in Action